A Selection of Public Art in Trumpington Meadows

Randall Evans, February 2024

Notes from the presentation given at the Local History Group meeting about South-West Trumpington: 5000 Years from Prehistory to Trumpington Meadows, held on 29 February 2024.

Mosaic of the Saxon bed burial

The Trumpington Cross, photographed after cleaning, March 2013. © Cambridge Archaeological Unit.
The Trumpington Cross, photographed after cleaning, March 2013. © Cambridge Archaeological Unit.
Bed burial original concept design from Katherine Clarke. Photo: Gary Drostle.
Bed burial original concept design from Katherine Clarke. Photo: Gary Drostle.

The Trumpington cross was found during excavation of the burial before building the houses on Trumpington Meadows. The bed burial inspired an installation in the form of a mosaic in the woods near Byron’s Pool. The mosaic was designed by Gary Drostle.

Describing the design, Muf Artist Partner Katherine Clarke said: “The idea of the mosaic is as if the ground has been cut away to reveal the layers of the past beneath from the prehistory of a shallow sea through the Saxon times to the Plant Breeding station and up to the present day, so motifs and artefacts from a range of historical periods are brought together as the objects that might be placed in the grave of a contemporary girl of the age the Saxon body was assessed to be. The setting was an attempt to make something that is ‘discovered’ so each person who comes across it can have that sense of puzzling what it is – rather than everything being explained and so take away the idea that perhaps there is more mystery in the landscape to be found.”

The bed burial mosaic by Gary Drostle. Photo: Gary Drostle, c. 2016.
The bed burial mosaic by Gary Drostle. Photo: Gary Drostle, c. 2016.
Details of the bed burial mosaic: laptop (left) medicines, books, circuit board and racing car (right). Photo: Gary Drostle, c. 2016.
Details of the bed burial mosaic: laptop (left) medicines, books, circuit board and racing car (right). Photo: Gary Drostle, c. 2016.
Details of the bed burial mosaic: my little pony and mobile phone. Photo: Gary Drostle, c. 2016.
Details of the bed burial mosaic: my little pony and mobile phone. Photo: Gary Drostle, c. 2016.
The bed burial mosaic shortly after installation in 2016. Photo: Gary Drostle, 2016.
The bed burial mosaic shortly after installation in 2016. Photo: Gary Drostle, 2016.

Sadly, the mosaic was damaged soon after it was put in place, in April 2017. There was further vandalism in subsequent years and flooding from the nearby river.

The bed burial mosaic on 12 April 2017, with the remains of the first barbecue. Photo: Becky Green, Wildlife Trust, 12 April 2017.
The bed burial mosaic on 12 April 2017, with the remains of the first barbecue. Photo: Becky Green, Wildlife Trust, 12 April 2017.
General view of the damaged bed burial mosaic. Photo: Randall Evans, April 2017.
General view of the damaged bed burial mosaic. Photo: Randall Evans, April 2017.
Detail of the damaged bed burial mosaic. Photo: Randall Evans, April 2017.
Detail of the damaged bed burial mosaic. Photo: Randall Evans, April 2017.
Repair of the damage to the bed burial mosaic. Photo: Gary Drostle, 2017.
Repair of the damage to the bed burial mosaic. Photo: Gary Drostle, 2017.
The overgrown (abandoned?) bed burial mosaic in July 2023. Photo: Randall Evans, July 2023.
The overgrown (abandoned?) bed burial mosaic in July 2023. Photo: Randall Evans, July 2023.
The flooded bed burial mosaic in February 2024. Photo: Randall Evans, 24 February 2024.
The flooded bed burial mosaic in February 2024. Photo: Randall Evans, 24 February 2024.
The flooded bed burial mosaic in February 2024. Photo: Randall Evans, 24 February 2024.
The flooded bed burial mosaic in February 2024. Photo: Randall Evans, 24 February 2024.

The TRACE project: gold bricks and the Plant Breeding Institute

In Trumpington Meadows there are 80 buildings with a gold-faced brick built in to the outer walls, why is this the case?

Artist Caroline Wright wanted to mark the history of the site, particularly the Plant Breeding Institute that developed new versions of crops, particularly grain and vegetables. The Plant Breeding Institute was opened by the then Minister of Agriculture in 1955. Anything with Maris in the name originated there. Wheat varieties include Maris Dove and Maris Ranger (winter wheats) and Maris Huntsman and Maris Widgeon which as well as increased yield were popular with thatchers because of the comparatively long straw. Maris Piper, Maris Bard and Maris Peer potatoes, Marias Kestrel (kale), Maris Bead (bean) and Maris Otter (barley) were bred on this site. The EU stopped the use of Maris in new plant varieties but Consort, Rialto, Hereward and Charger are amongst wheat varieties bred there. These are remembered as the names of roads.

The front entrance to the Plant Breeding Institute headquarters building in Trumpington, Cambridge. Source: Plant Breeding Institute.
The front entrance to the Plant Breeding Institute headquarters building in Trumpington, Cambridge. Source: Plant Breeding Institute.

A brief description of the TRACE project is available in a small black booklet (there is a copy in the Clay Farm Library local history section). This has a short history of the project and maps of the new roads and homes and the location of the bricks.

Caroline decided that it would be an idea to mark the outline of some of the buildings of the Plant Breeding Institute by incorporating markers at intersections between the new houses and the demolished buildings that had once stood on the site. To this end 80 bricks were made with a gold face and incorporated into the buildings. The 24-carat gold leaf acknowledges the archaeological finds made on the site including, of course, the Trumpington Cross.

Front cover of the TRACE publication. Photo: Randall Evans.
Front cover of the TRACE publication. Photo: Randall Evans.
Map from the TRACE publication which shows the location of the bricks (there are more detailed maps in the booklet, this is the overview). Photo: Randall Evans.
Map from the TRACE publication which shows the location of the bricks (there are more detailed maps in the booklet, this is the overview). Photo: Randall Evans.

Hopscotch artwork

See the separate page about the Hopscotch artwork in the Trumpington Meadows local centre.

The Hopscotch art work at the Trumpington Meadows local centre. Photo: Commission Projects.
The Hopscotch art work at the Trumpington Meadows local centre. Photo: Commission Projects.

Wood carvings in the Trumpington Meadows Country Park

Most, if not all, of the wood carvings in the Country Park are by wood wright Patrick Brown, who also made the small wooden tablets on the bridge into the Country Park from Kestrel Rise/Piper Green. One of the most dramatic carvings includes representations of the various animals and plants you can see on the reserve. There is also a bench with ink pot and quill pen themed around Lord Byron, due to the proximity to Byron’s Pool.

Carving with animals and plants near Byron’s Pool car park. Photo: Randall Evans, 2016.
Carving with animals and plants near Byron’s Pool car park. Photo: Randall Evans, 2016.
Carving with animals and plants near Byron’s Pool car park. Photo: Randall Evans, 28 February 2024.
Carving with animals and plants near Byron’s Pool car park. Photo: Randall Evans, 28 February 2024.
Trumpington Meadows Country Park Discovery Day: wood carving art features; writing group commemorating Lord Byron in the 'Rainbow Reflection Garden' near the Byron's Pool car park [by Patrick Brown, wood wright]. Photo: Andrew Roberts, 11 June 2016.
Trumpington Meadows Country Park Discovery Day: wood carving art features; writing group commemorating Lord Byron in the ‘Rainbow Reflection Garden’ near the Byron’s Pool car park [by Patrick Brown, wood wright]. Photo: Andrew Roberts, 11 June 2016.
Carving with ink pot and quill pen in memory of Lord Byron, near Byron’s Pool car park. Photo: Randall Evans, 28 February 2024.
Carving with ink pot and quill pen in memory of Lord Byron, near Byron’s Pool car park. Photo: Randall Evans, 28 February 2024.

An expensive (£3000) and large (1.6m) wooden sculpture of a hare was stolen by thieves between 21-22 December 2016. It was prised off a metal rod that had been set into concrete in the ground. A slightly smaller replacement was installed on 28 September 2017.

Original carving of a hare on the Country Park meadow.
Original carving of a hare on the Country Park meadow.
Replacement carving of a hare on the Country Park meadow (slightly smaller and different pose). Photo: Randall Evans, February 2024.
Replacement carving of a hare on the Country Park meadow (slightly smaller and different pose). Photo: Randall Evans, February 2024.

Questions during Group meeting

Randall was asked about the significance of the name ‘Maris’. He and Howard Slatter explained that it was derived from Maris Lane, where there was an entrance into the PBI site, and that Maris Lane was itself named after the family that lived in the farmhouse opposite Anstey Hall in the 19th century.